Showing posts with label Covent Garden. Show all posts
Showing posts with label Covent Garden. Show all posts

April 29th - Day 11

Blasts of music and crowd-calling voices rolled around the pillars of Covent Garden Market like fog around trees - seemingly within ones grasp, but always a little further away from where one actually is.

After a short period of being enticed by the misleading sounds of acrobats with loud backing music, crowd-pulling magicians and diabolo-sellers, I found an enthusiastic string (and flute) quintet performing in the basin courtyard outside the Crusting Pipe wine bar. Above them people watched, leaning over the railings that lined the four sides of yard.

I went down the staircase, sat on a stone step and for half an hour was entertained by the familiar music of Mozart, Strauss, Bach, Offenbach and Europe. There was witty banter and some nifty dance moves that dangerously bordered on the gymnastic - the second violinist was nearly a faller at the Can-Can.

They were called Lotus (or was it Locus?). It was fortunate for them that they put on a good show, because, according to their flautist and spokeswoman, they were in fact playing for their supper - "we will wither away" - and would be doing so again at four o'clock.

2015 update. Lotus (it's not Locus) according to their website still seem to have a connection with The Crusting Pipe and are also available for weddings and corporate events!

http://www.lotusclassics.co.uk

September 30th - Day 165

This is soprano Seija Knight performing a personal recital in Covent Garden Piazza.

Well, okay, the photograph below reveals the true size of her audience. Gershwin, Purcell, Verdi and others featured in her performance. Interesting Seija fact - in 2007 she was selected to sing the English and Russian National Anthems to a crowd of 86,000 at Wembley Stadium for the England/Russia Euro 2008 qualifying match.


October 27th - Day 192

words soon...

November 23rd - Day 219


Something in Time Out vaguely suggested there might be music in Covent Garden this evening. There was, but nothing new. There was the obligitary energetic, dancing string quintet in the sunken courtyard bit who I think I may have seen before, but I'm not sure...there's a few of them about. I recognised the second violinist. Maybe they interchange like the Romanians on The South Bank. Then, on the road up to the tube, there was the obligitary busking bagpiper, who I don't think I had seen before, but I seem to be getting fussy (which is good) and though, inbetween battling with a gale-force wind, he was striking up some good tunes, I decided I needed to find something a little more diverse.

I was considering going to Isleworth, when the wind blew a different pipe sound in my direction. Round the corner, near the Opera House, was the guy in the above photo. He was playing a traditional Chinese wind instrument, producing a traditional and familiar Chinese sound, called a sheng. In front of him was a suitcase half full of his cds and a notice with information about the instrument. It stated that the sheng is the oldest pipe instrument in the world (3000 years old) and was the precurser to the church organ and the accordian. There can't be many traditional sheng players in the world - if you look it up on Wikipedia the photo is of the same man - Guo Yi.

December 14th - Day 240

Terry St Clair has been performing regularly at Covent Garden for nigh on 29 years. During that time he has travelled and performed extensively across Europe, often earning his living solely through his street musician work; been a leading light of 1985’s Busk Aid (organised alongside Live Aid and raising much money for charities); made four albums; put two daughters through college on the back of his musical earnings and had his song, “If I fall in love with you” featured in the Kevin Costner film Upside of Anger. Prior to Covent Garden, inspired by the folk blues of Bert Jansch and Jackson C Franks, a teenage Terry took up the guitar seriously in the late-sixties, plying his trade around the folk clubs of his native Midlands. He also started to write his own songs. By the mid-seventies he was playing guitar and singing around the country. And this is the bit I like best. In 1974 he was on TV’s New Faces (The “Britain’s Got Talent” of its day) performing in front of a panel that featured Tony Hatch, Mickey Most and Arthur Askey! He went down well apparently. Mickey gave him nine out of ten for star quality. Perhaps I was watching.

Thirty-five years later I was sitting on a wooden bench in Covent Garden Market, watching him perform his mix of covers and originals. He's a classy performer and his own melodic songs fitted snugly alongside the more well known pieces. Some people appreciated this and rewarded his music with applause, money in the guitar case and cd purchase. Others were oblivious to Terry’s musicianship and he wasn’t shy to let them know what he thought. Anyone sitting on the bench with their backs to him was remarked upon. And rightly so I thought. In my opinion he wasn't busking. He was very obviously performing in a space. The side where he stood acted as a stage to the people seated on the three benches in front of him that formed a square. It looked quite peculiar to sit facing the other way.

Thinking what I wrote about Terry performing and not busking...what is the difference? Is there one? Perhaps not. I guess a busker is more likely to perform to one side, be it in front of the wall of a tube corridor or leaning against the stone wall that stops them falling into The Thames. They are open to being ignored, as much a predictable and omnipresent feature of many pedestrian Londoners' day as the pavement they walk upon. Terry, despite the best efforts of some, was hard to ignore. Okay, like many buskers he had his guitar case in front of him, but for the hour he was performing, he had charge of his space.

The free dictionary definition of "to busk" is..."To play music or perform entertainment in a public place, usually while soliciting money", which if anything rather muddies my theory. If someone plays music in a public place, but doesn't solicit money, are they performing rather than busking? Or are they just showing off? Related comments welcome!

January 26th - Day 283

Above, Big Red Bus kicking off the Australia Day music fare at four in the afternoon in Covent Garden's Walkabout pub.